Antonio Aragon Renuncio: Sanna’m

Antonio Aragon Renuncio: Sanna’m
International Photography Grant 2019

And there it was, amid the absence as a savanna. Hidden among rough rocks, among weeds and trees scattered starving the hot plains. Under a blazing sun hammering the senses. No rest, no mercy. A million light years from known safety and comfort. In Africa, always in Africa. Always in the distance, always in the middle of nowhere. The hole, “le trou “.

Wandering of battered bodies out of necessity. Burly, sweaty, hungry. Men, women, children. Many children. Too many. Back in the harsh and inhospitable place of grief. There are places in this sometimes beautiful planet that we live fighting for survival and it becomes simply too hard and pointless. The hole. Wandering frantic bodies in and out of the depths. No rest. Day and night. Eternal. Endless. Heat, stones and more stones. Hours and hours. Tons of red dirt coming out relentlessly from the bowels of the earth. The sound of improvised mortar fills the air, surely. Blimmmm blimmm blimmm… Stones and more stones. Hits and more hits. Blimmm blimmm blimmm… Sun. Heat. Holes and more holes. Earth and earth. Red like blood. Blimmm blimmm blimmm…

Sanna’m © Antonio Aragon Renuncio

Sanna’m. “Gold” in Mòoré language of the Mossi tribe. It is very difficult to describe what it means for the inhabitants of the hole, the meaning of that unknown word for me. Life, food, comfort, hunger, sweat, tears… death. All for a handful of gold dust with which to feed the family. Taken with much sweat inside frayed pockets of gladiators in the caverns. Climbing barefoot through the narrow passages of the underworld about to succumb. From hundreds of feet deep. Playing and gambling with death about to collapse. Hours and hours of work into the abyss devoid of fresh air, light, security. Without eating. Almost without drinking. Only hitting the wall of the hole. With eyes dilated about to explode for the elusive glow of a piece of stone. Hour after hour. Day after day. Endless. Constant hammering. In search of precious golden granites. Ascension of the underworld. Again and again. Constant hammering. Sweat. Hunger. Perennial cough. Disease. Absence, pain… death.

Sanna’m. Gold. Somewhere beyond the harsh and inhospitable plains full of rocks. A great light at the end of the tunnel.

Sanna’m © Antonio Aragon Renuncio

Antonio Aragon Renuncio – since the mid-90s he has always been involved with the photographic medium: Founds and chairs “Nostromo” Photographers Association (Spain). Professor (over fifteen years) of photography: University of Cantabria (Spain), American University UAM (Nicaragua), Central American University UCA (Nicaragua), Caribbean University URACCAN (Nicaragua), Cantabrian Government and Santander City Hall (Spain)… He organizes and directs the I Photography Festival of Santander. Organizes and leads the project “Los Castros 65” Photo Showroom. He writes about photography in different publications. He was Publisher and CEO in “Xplorer” Magazine (Nicaragua). He has been Free-lance photographer for several International News Agencies. General Manager Xtreme Photo WS (Burkina Faso, Africa).

In 2003 he founds, and since then he presides, the NGO OASIS (www.ongoasis.org) which develops every year medical projects in some of the most depressed areas of the Gulf of Guinea in Africa, having extensive experience working in Africa.

He has exhibited (more than eighty exhibitions) his work in Galleries and Museums: Spanish Museum of Contemporary Art (Madrid), Museum of Fine Arts (Santander), BBK Foundation (Bilbao), Canal de Isabel II Space Gallery (Madrid), Espai de la Fotografía (Valencia), Obra Social y Cultural de Caja Duero (Cáceres), Central Library (England), ARCO International Contemporary Art Fair, Ruben Dario´s National Theatre (Nicaragua), MAPFRE Foundation, ONCE Foundation, Museum of Antioquia (Colombia), Fontainebleau Palace (China), University of Hidalgo (México), Osnabrück’s Cultural History Museum (Germany), Burj Khalifa Park (Dubai).

Website: antonioaragonr.com

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

Sanna’m © Antonio Aragon Renuncio

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International Photography Grant 2019