Nadav Kander (born December 1, 1961) is a London-based photographer, artist and director, known for his portraiture and landscapes. Kander has produced a number of books; had his work exhibited widely; he received an Honorary Fellowship from the Royal Photographic Society in 2015, won the Prix Pictet and a World Press Photo award; and his work is included in the collections of the National Portrait Gallery, the Société Générale, Paris, Pictet & Cie’s Art Collection and other museums and galleries.
Kander was born in Tel Aviv, Israel. His father flew Boeing 707s for El-Al but lost his eye and was unable to continue flying. His parents decided to start again in South Africa and moved to Johannesburg in 1963. Kander began taking pictures when he was 13 on a Pentax camera, which he bought with his Bar Mitzvah money. He states the pictures that he took then and until he was 17, although unaccomplished, have the same sense of quiet and unease that is part of his work today. After being drafted into the South African Air Force, Kander worked in a darkroom printing aerial photographs. It was there he became certain he wanted to be a Photographer. He moved to London in 1986, where he still resides with his wife Nicole and their three children.
© Nadav Kander
Kander is best known for his Yangtze – The Long River series, for which he earned the Prix Pictet Prize. Kander made several voyages along the course of China’s Yangtze River, travelling upstream from mouth to source over a period of three years. Using the river as a metaphor the journey begins at the coastal estuary, where thousands of ships leave and enter each day, and moves past renowned suicide bridges, coal mines and the largest dam in the world – the Three Gorges Dam. Further inland we encounter Chongqing – the fastest-growing urban centre on the planet. Kander never photographed further than twenty miles from the river itself. In the shadow of epic construction projects we see workers, fishermen, swimmers and a man washing his motorbike in the river. Dense architecture gives way to mountains in the upper reaches towards the river’s Tibetan source – a sparsely populated area where the stream is mostly broken ice and just ankle deep. The photographs are dominated by immense architectural structures where humans are shown as small in their environment. Figures are dwarfed by landscapes of half completed bridges and colossal Western-style apartment blocks that are rapidly replacing traditional Chinese low-rise buildings and houseboats.
In 2010-2012 Kander photographed a series of nudes – Bodies. 6 Women. 1 Man – in his London studio. Coated in white marble dust and set against the void of the photographer’s studio the subjects serve as a study of the human condition. Rooted in an interest in the ‘aesthetics of destruction’ Kander’s most recent project Dust explores the vestiges of the Cold War through the radioactive ruins of secret cities on the border between Kazakhstan and Russia. Will Self has said These images do not make beautiful what is not, they ask of us that we repurpose ourselves to accept a new order of both the beautiful and the real.
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On 18 January 2009 Kander had 52 full colour portraits published in one issue of The New York Times Magazine. These portraits were of the people surrounding US President Barack Obama, from Joe Biden (Vice President) to Eugene Kang (Special Assistant to The President). This is the largest portfolio of work by the same photographer The New York Times Magazine has showcased in one single issue. In July 2012 Kander exhibited at the National Portrait Gallery National Portrait Gallery in London with a series of portraits celebrating London’s hosting of the 2012 Summer Olympics. In 2014 Kander was among the 18 photographers chosen to be a part of Constructing Worlds: Photography and Architecture in the Modern Age, an exhibition at the Barbican Centre in London, and toured, which explored the ability of architectural photography to reveal wider truths about our society.
His photography for the 2016 TIME Person of the Year cover was widely analyzed and acclaimed. Kander is a Trustee of The Lowry in Salford, Greater Manchester.
Website: nadavkander.com
© Nadav Kander
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